Franck Chartier
Between 1986 and 1989, he was a part of Maurice Béjart’s Ballet du 20ème Siècle.
The following three years, he worked with Angelin Preljocaj, dancing in Le spectre de la rose at the Opéra de Paris.
He moved to Brussels in 1994, to perform in Rosas’ production Kinok (1994), and he stayed on, working on duos with Ine Wichterich and Anne Mouselet, as well as in productions by Needcompany (Tres, 1995) and Les Ballets C de la B: La Tristeza Complice (1997), Iets op Bach (1997) and Wolf (2002). In 2013, he created 33 rue Vandenbranden for the Göteborg Opera, based on Peeping Tom’s 32 rue Vandenbranden, and he developed the choreography for the opera Marouf, Savetier du Caire by Jerôme Deschamps at the Opéra Comique de Paris.
For Nederlands Dans Theater, he directed The lost room in 2015, for which he received the prestigious Dutch price ‘Swan Most Impressive Dance Production 2016’. 2017 marked the world premiere of The hidden floor, his second collaboration with the Dutch company. More recently, he worked with Gabriela Carrizo on 31 Rue Vandenbranden (2018) an adaptation with Le Ballet de l’Opéra de Lyon of Peeping Tom’s original. The new piece opened the prestigious Biennale de la Danse de Lyon in 2018.
Peeping Tom has been making waves on the European dance scene since the early 2000s with its offbeat, genre- bending universe portrayed by extraordinary performers. An unconstrained imaginary world where horror and extravagance go hand in hand.