Sylvain Émard
Ever since Ozone, Ozone (1987), his first solo, up to Rhapsodie (2022), he has been exploring the territory of human nature through the force and strength of the body. His repertoire now includes over thirty original pieces that have had a resounding impact all over the world.
Renowned for his refined style and precise movement, his presentation in 2009 of Le Grand Continental® at the Festival TransAmériques must have come to some as a surprise. Inspired by line dancing, this unique piece has featured 3,000 non-dancers in several performances across Canada, the United States, Mexico, South Korea, New Zealand, Chile, Germany and Austria, attracting some 125,000 spectators. In September 2017, Le Super Méga Continental boasted 375 dancers in Montréal to celebrate the city’s 375th anniversary.
Sylvain Émard’s unique style has led to invitations to work as guest choreographer in theatre, opera and cinema. These collaborations include his joining forces with Robert Lepage in 2005 to work on the opera 1984 by Lorin Maazel, presented namely at Covent Garden in London and at La Scala in Milan. At the behest of theatre director René-Richard Cyr, Sylvain Émard is creating the choreographies for the musical Demain matin, Montréal m’attend at Théâtre du Nouveau Monde.
Sylvain Émard has received numerous prestigious awards, such as the Jean A. Chalmers Choreographic Award (1996). He is also co-founder of the Circuit-Est centre chorégraphique.
A fascinating new work from Sylvain Émard, featuring a sextet of performers. A generous dance whose compelling energy speaks of the close ties that bind people together.