This collective of choreographers and visual artists has always developed a collaborative project with several online communities that has given rise to several multidisciplinary and cross-community creations. Through films and performances (Novaciéries, 2015; The Master’s Tools, 2017; Cultes, 2019; Ghosts, 2021), and choreographic pieces (Night Owl, 2016; To Da Bone, 2017; Marry Me in Bassiani, 2019; Room With A View, 2020), (LA)HORDE interrogates the political component of dance and maps diverse choreographic forms of popular uprising, transitioning from raves to traditional dances, as well as jump style. Their exploration of the new dynamics of circulation and representation of dance and body that develop online led them to work on the concept of «post-internet dances». By diversifying formats,(LA)HORDE questions the almost infinite serendipity that this new territory provides and proposes multiple perspectives on the uprisings of the communities with whom they work in a heterarchical way.

In 2022, they present Roommates, a program of six short pieces connecting hyperrealism and minimalism, featuring works by Lucinda Childs, Claude Brumachon and Benjamin Lamarche, Peeping Tom, Cecilia Bengolea and François Chaignaud, (LA)HORDE, as well as a large-scale danced exhibition, We Should Have Never Walked on the Moon, blending elements of musical theater and action cinema with avant-garde choreography.

Created in 2023, Age of Content is their latest choreographic work with the Ballet National de Marseille.